< 1975 // Emile Morel creates digital universe on the edge of the pixel-art. Phantasmagoric visions of hybrid characters, at halfway between wonderful medieval and dantesque hell, staging impulses primitive, bestial and idyllic an intimate mythology. Allegory of life, suffering and the desire, the works of emile surprise by the lushness of their details and their evocative power.
1964 // Aidan Salakhova marries Eastern Islamic with Western feminist influences, combining her Azerbaijani background with her Eastern European upbringing. Her “Persian Miniatures” series explores the feminine identity in an Islamic context.Missing elements carry as much weight as those that are visualized. Feminine figures are delicately portrayed, with the male presence noticeably absent. The drawings are flat and their subjects anonymous, rendering them interchangeable and representational. Her execution traces back to Persian miniatures from which the series takes its name..
1987 // AES+F is a group of four Russian artists: Tatiana Arzamasova (1955), Lev Evzovich (1958), Evgeny Svyatsky (1957), and Vladimir Fridkes (1956). The group was formed in 1987 as AES by three artists: Tatiana Arzamasova, Lev Evzovich and Evgeny Svyatsky. Photographer Vladimir Fridkes joined the group in 1995, and the name of the group changed to AES+F. The collective lives and works in Moscow. AES+F group focuses on photography, photo- and computer-based art, and video art, as well as.